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Showing posts from July, 2019

Frances Ha

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Why Frances Halladay is one of the most relatable film characters ever written (and maybe one of the most inspiring)  Frances Halladay is a 27-year-old woman living in New York. She was born in Sacramento, California, and she moved to NYC in the hopes of starting an artistic career as a dancer. She is light-hearted, funny and quirky. She is herself, yet, strangely, she is also all of us. Life seems to be putting her on the ropes, as everything bad that could happen to her always happens, from being "fired" from the Christmas show she was supposed to do to tripping as she is running to get some cash to pay for dinner with the cool boy she met. Not only that, but everyone else, including her best friend Sophie, seems to be getting on with their lives. Life really doesn't seem to be her thing, but is it really the thing for anyone? "I'm tired", she says, "I am always so tired" - and we can't help but connect with her when she utters those wor

Shopping Bag 2

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Shopping Bag 2: Back in Business - Back and Better than Ever!  "Our least worst film yet!", the tagline boldly states, preparing us for the wild ride that we are about to embark - a truly dementedly self-aware and entertaining one. Matthew Reynolds truly shows his directorial capacity in this corrosive crime comedy that has all the right amount of quirkiness and over-the-topness to make a perfect storm of entertainment and witty commentary that will leave you out of breath from laughter, all brilliantly condensed into a 40-minute short. If the two previous films of Some Guys with a Camera that I reviewed were outstanding achievements of zero-budget cinema, this is the crowning jewel of the incredible efforts by these young filmmakers from Liverpool. It's sleazy and absurd cinematic exploitation at its best, and it's such a joy to watch.  After spending 10 years in jail, Sergeant Ian Lynch finds that the world has changed a lot - new technology, Brexit, Climate

Brokaback Mountain/God's Own Country

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Brokeback Mountain and God's Own Country - Two Moments in Gay Liberation  Two romances between two men in the isolation of nature. One in the 1960s in the mountains of Wyoming, the other in the modern days on the hills of Yorkshire. Two similar stories, two different periods, two different outcomes. Brokeback Mountain and  God's Own Country are two films whose similarities are undeniable and they reveal and reflect two different moments in the history of gay liberation, and this is what I'll be trying to get at in this article. It's important to point out the fact that these two stories are about working-class people, which are the ones whose stories most reflect the social oppression of society. Through these two stories and the comparison between the two, we are able to understand the differences between the two periods they are set in and how gay liberation has progressed through the years. In Brokeback Mountain , we start when Ennis and Jack - played, respect

Films watched this year

  • 1917 (2019) directed by Sam Mendes
  • 9 to 5 (1980) directed by Colin Higgins
  • A Place in the Sun (1951) directed by George Stevens
  • Adults in the Room (2019) directed by COsta~Gavras
  • Bacurau (2019) directed by Juliano Dornelles, Kleber Mendonça Filho
  • Bait (2019) directed by Mark Jenkin
  • Bombshell (2019) directed by Jay Roach
  • By the Grace of God (2019) directed by François Ozon
  • Female Trouble (1974) directed by John Waters
  • Flames of Passion (1989) directed by Richard Kwietniowski
  • For Sama (2019) directed by Waad Al-Kateab and Edward Watts
  • Ford v Ferrari (2019) directed by James Mangold
  • From Here to Eternity (1953) directed by Fred Zinnemann
  • GUO4 (2019) directed by Peter Strickland
  • I Confess (1953) directed by Alfred Hitchcock
  • Invisible Life (2019) directed by Karim Aïnouz
  • Jojo Rabbit (2019) directed by Taika Waititi
  • Jubilee (1978) directed by Derek Jarman
  • Little Women (1933) directed by George Cukor
  • Little Women (1949) directed by Mervyn LeRoy
  • Little Women (1994) directed by Gillian Armstrong
  • Little Women (2019) directed by Greta Gerwig
  • Long Day's Journey Into Night (2018) directed by Bi Gan
  • Looking for Langston (1989) directed by Isaac Julien
  • Monos (2019) directed by Alejandro Landes
  • Mosquito (2020) directed by João Nuno Pinto
  • Network (1976) directed by Sidney Lumet
  • O Fantasma (2000) directed by João Pedro Rodrigues
  • Portrait of a Lady on Fire (2019) directed by Céline Sciamma
  • Red River (1948) directed by Howard Hawks
  • Richard Jewell (2019) directed by Clint Eastwood
  • Shadow (2018) Zhang Yimou
  • The Farewell (2019) directed by Lulu Wang
  • The Hunger (1983) directed by Tony Scott
  • The Leopard (1963) directed by Luchino Visconti
  • The Lighthouse (2019) directed by Robert Eggers
  • The Nightingale (2018) directed by Jennifer Kent
  • The Souvenir (2019) directed by Joanna Hogg
  • The Wild Goose Lake (2019) directed by Diao Yi'nan
  • Thelma & Louise (1991) directed by Ridley Scott
  • Un Chant D'Amour (1950) directed by Jean Genet
  • Uncut Gems (2019) directed by Benny and Josh Safdie